“A Ladder to the Sky” by John Boyne: A Review

Hardcover, 384 pages
Expected publication: November 13th 2018 by Hogarth Press (first published August 9th 2018)
Original Title: A Ladder to the Sky
ISBN 1984823019 (ISBN13: 9781984823014)

Goodreads Synopsis:

The new novel from the beloved New York Times bestselling author of The Boy in the Striped Pajamas and The Heart’s Invisible Furies , a seductive Highsmithian psychodrama following one brilliant, ruthless man who will stop at nothing in his pursuit of fame

Maurice Swift is handsome, charming, and hungry for success. The one thing he doesn’t have is talent – but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own.
Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel.
Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall…

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Seductive, intoxicating, these are just a few of the words used to describe “A Ladder to the Sky” and they’d be right. Maurice Swift is the exact kind of amoral character readers love to hate, even when that hate has you lifting your head from the story and saying, “What the actual [expletive] did he just do?”
From his first mark to his last, Maurice’s rise and fall from “grace” is the sort of story that resonates with readers because we all have known someone who climbed the ladder by making the types of choices that leave us cold inside.
. . . and those of us who are really honest with ourselves recognize that some of Maurice’s choices are not dissimilar to ones we ourselves have made or have been tempted by in the past.
Aside from a touch of confusion when the novel opened up from Erich Ackermann’s perspective when I was from the description expecting Maurice’s took a dozen pages to get into, but after that, John Boyne has a deft hand with descriptions and characterizations to give each character their voice in this narrative. A narrative that sucks a reader in and doesn’t let go until the final act plays out on the page. Having never read anything by John Boyne before, I can now say with confidence that I am picking up everything else this man every pens.

4.5 stars and so worth it.

I participated in Penguin’s “First to Read” program and read an e-copy early in the hopes I would share my thoughts about this work. Insert usual disclaimer here, does not affect my thoughts, etc.

“I Do Not Trust You” by Laura J. Burns and Melinda Metz: A Review

Hardcover, 320 pages
Published September 11th 2018 by Wednesday Books
Original Title: The Lost Map of Chaos
ISBN 1250052300 (ISBN13: 9781250052308)

Goodreads Synopsis:

Memphis “M” Engle is stubborn to a fault, graced with an almost absurd knowledge of long lost languages and cultures, and a heck of an opponent in a fight. In short: she’s awesome.

Ashwin Sood is a little too posh for her tastes, a member of an ancient cult (which she’s pretty sure counts for more than one strike against him), and has just informed Memphis that her father who she thought was dead isn’t and needs her help.

From the catacombs of Paris to lost temples in the sacred forests, together they crisscross the globe, searching for the pieces of the one thing that might save her father. But the closer they come to saving him—and the more they fall for one another—the closer they get to destroying the world.

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If you’re reading reviews, then you’ve probably already read the summary–if you haven’t for whatever reason, do the thing. Go on, I’ll wait.
. . .
Have you read it?
Are you lying?
Well, if you are, then this might be a shade confusing for you.

On to the review: that sass that you see in the summary? Yeah, that’s more or less the tone of the entire book.
Characters:
Memphis? Kind of awesome.
Ashwin? Also kind of awesome.
Everyone else? Sort of one note. I was expecting a bit more from them.

Storyline:
‘Round the world travel? Check.
Miss Fancy linguistic skills showing off her area of expertise? Check.
Opening plot twist/reason for going on an adventure? Check.
Not overly broody male MC with a sad past and isn’t a complete douche to the female MC? Check.
Thrilling, edge of my seat adventure? Eh, half-check?
An all too obvious love interest that actually manages to just skim the line of the insta-love trope? Check.
Big bad? Also, eh. Half-check.
Satisfying ending? Also, eh. Half-check.

Overall thoughts:
Acceptable, but not a favorite. Decent addition to the YA-Thriller/Adventure genre.

Will I read more by this author duo?
Maybe.

I won an ARC from a Goodreads giveaway; thank you! (Insert obligatory disclaimer here.)

“The Gathering Murders” (Inspector Torquil McKinnon #1) by Keith Moray (more like gathering dust, but whatever)

Kindle Edition, 352 pages
Published March 1st 2018 by Sapere Books (first published January 1st 2006)
ASIN B0781TFMFJ
Edition Language: English
Series: Inspector Torquil McKinnon #1

Goodreads Synopsis:

Who can you trust when everyone is suspect?

The annual West Uist literary festival – The Gathering – always attracts the best in the business. But with the tiny Scottish Hebridean island population suddenly doubling, the local police force is stretched to breaking point. And this year they have to deal with more than just drunken fights and rowdy behaviour…

Ranald Buchanan, the local poet, is found dead, with his head brutally caved in, and Inspector Torquil McKinnon is brought into investigate. Did Ranald trip and fall, as suggested? Or is something more sinister happening?

Before Torquil can find out more, another victim is found. The island is on lockdown. There is a serial killer in their midst. And this time the victim is someone very close to him.

Now finding justice is personal. Torquil is out for revenge.

Can he solve the mystery before the killer strikes again? Or will more bodies fall victim to The Gathering Murders?

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I received an ARC mobi file from the publisher in exchange for my honest review. This obviously does not change my feelings, opinions, etc. Thank you Sapere Books for giving me the opportunity to review this book.

I’m noticing a trend with the books I’ve reviewed for Sapere; so far they’ve all be set in the UK, which I know little about (typical self-absorbed American right here, haha) and I am feeling like there’s this assumption that I’m supposed to know what certain things are/where certain places are, etc. Its basically feels like I was dropped into this book with little to no context.

I liked Torquil, the MC, well enough, most of the other characters too. But Fiona pissed me the hell off. And did no one else think her relationship with Torquil was both rushed and forced? Which the affected his motivations going forward?

The ending! Oh don’t get me started on how that came out of left field–was I so uninterested in this book that I missed the clues that would have predicted it? (Seriously, did I just miss things because I was having a hard time staying interested in this book?)

Something else that pissed me off were the inclusion of various sexist/-phobic comments, that were either representative of the views of persons who were/are from sheltered/non-progressive backgrounds; were meant as a satire of those views; were meant to show characters who you’d previously liked as assholes; or included for no reason whatsoever and are in fact the author’s feelings on the matter?

(Yes, I am definitely living up to my (salty) name today. No, I don’t think I’m sorry. But as my opinions are strictly mine, perhaps this is one of those books where you have to decide for yourself what you want to think of it).

2 stars and I think I’m being generous.

“Death Below Stairs” (Kat Holloway Mysteries #1) by Jennifer Ashley: A Review

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Paperback, 313 pages
Published: January 2nd, 2018 by Berkley Books
Original Title: Death Below Stairs
ISBN 0399585516 (ISBN13: 9780399585517)
Edition Language: English
Series: Kat Holloway Mysteries #1
Characters: Kat Holloway, Daniel McAdam
Setting: London, England, 1881

Goodreads Synopsis:

Victorian class lines are crossed when cook Kat Holloway is drawn into a murder that reaches all the way to the throne.

Highly sought-after young cook Kat Holloway takes a position in a Mayfair mansion and soon finds herself immersed in the odd household of Lord Rankin. Kat is unbothered by the family’s eccentricities as long as they stay away from her kitchen, but trouble finds its way below stairs when her young Irish assistant is murdered.

Intent on discovering who killed the helpless kitchen maid, Kat turns to the ever-capable Daniel McAdam, who is certainly much more than the charming delivery man he pretends to be. Along with the assistance of Lord Rankin’s unconventional sister-in-law and a mathematical genius, Kat and Daniel discover that the household murder was the barest tip of a plot rife with danger and treason—one that’s a threat to Queen Victoria herself.

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So I was apparently on a Victorian England kick because this was the third(?) book set in Victorian England I read in less than a week. (Note I might still be on said kick, I have at least three or four more books set in Victorian England on my immediate #TBR list.)

Death Below Stairs was a fast read for me–I stayed up probably far too late reading it. (“I’m only going to read a few pages before I go to bed–oh, whoops, its three in the morning! Oh well, who needs sleep? What’s that?)

Tiny salty rant: while I understand that generally speaking, starting a book with an action, or pretty close to the start is supposed to be a good way to draw a reader in. Now, that being said, for the love of all that’s holy, stop starting a story where characters have already established relationships with other characters, but you write their introduction to the reader as if the reader is already supposed to know who these people are!

Salty rant continued (I guess its not that tiny . . . oops. *sweatdrop and sheepish smile*): do not start stories in the middle with the assumption that world building isn’t required. How does an author with very detailed writing have such a difficult time establishing a scene? And I think there’s a difference between a red herring and a useless distraction–but then again I am so difficult to please.

Okay, saltiness aside, I really enjoyed Kat and Daniel’s interactions–actually I just like Kat in general. They had a really interesting back and forth dynamic (even if I spent a lot of time wondering at the backstory they kept referencing and never fully explained).

Ashley has a deft hand for detail and better than a passing knowledge of Victorian history, though there were the occasional moments where I wondered about the accuracy of certain interactions, especially those between characters of different classes.

With the exception of the last fifty pages or so(?), the pacing was strong and Ashley’s attention to the character’s action is clear, especially Kat’s cooking–I’m going to have to do the research to see if anything can be recreated, because some of the dishes sounded quite tasty.
Overall, a quick read and a solid addition to the Victorian mystery genre.

3 stars from me and I will definitely be looking forward to the next book in the series.

“How to Drink Like a Mobster” by Albert W. A. Schmid: A Review–Quick, drink the evidence!

Hardcover, 128 pages
Published September 1st 2018 by Red Lightning Books
ISBN: 1684350492 (ISBN13: 9781684350490)
Edition Language: English

Goodreads blurb:

From John Dillinger’s Gin Fizz to Al Capone’s Templeton Rye, mobsters loved their liquor―as well as the millions that bootlegging and speakeasies made them during the Prohibition. In a time when any giggle juice could land you in the hoosegow, mobsters had their own ways of making sure the gin mill never ran dry and the drinks kept flowing. And big screen blockbusters like The Godfather, GoodFellas, and Scarface and small screen hits like The Sopranos and Boardwalk Empire ensure that our obsession with mobsters won’t run dry, either.
Mixology expert Albert W. A. Schmid shows how you can recreate the allure of the gangster bar life with step-by-step instructions on how to set up the best Prohibition-style bar and pour the drinks to match. Recipes include mob favorites like the Machete, the Paralyzer, Greyhound (Salty Dog), Say Hello to My Little Friend, and Angel Face, as well as classics like the Gimlet, Kamikaze, and Bee’s Knees. How to Drink Like a Mobster also includes profiles of the most notorious mobsters’ connections to the booze business, along with tips to stay under the radar in any speakeasy: always have at least one or more aliases ready, pay with cash, don’t draw attention to yourself, and in the case of a raid, drink the evidence as fast as you can!

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Clear-cut and quick, How to Drink Like a Mobster is glimpse into the often overly glamourized life of the “American Mobster”. With dozens of easy to follow recipes for cocktails and other “Prohibition Era” drinks, along with anecdotes about how each peculiar beverage got its name, or just a small factoid that goes along with it (Corpse Reviver anybody?).

Nonfiction isn’t generally my genre but by and large, this reads more like a cookbook/drink book than it does like a piece of serious history. A short overview of famous mobsters and a handy lexicon of “traditional” mafioso jargon and then pages of drinks of all kinds and the differences between them make this book a handy thing to keep around next time you entertain.

I’m definitely looking forward to attempting to be a bartender, or just something new to try next time I go out for drinks with a friend.

3.5 Stars, rounded up to a Goodreads 4.
I got an ARC copy from a Goodreads giveaway (thanks so much), and then insert usual disclaimer here.

A Review: “The Lies We Told” by Camilla Way–and this is no lie

Kindle Edition, 336 pages
Expected publication: October 9th 2018 by Berkley
ASIN: B078VW7QSD

Paperback ISBN: 1101989521 (ISBN13: 9781101989524)

Goodreads Synopsis:

The highly acclaimed author of Watching Edie returns with a new novel of dark psychological suspense that explores how those closest to us have the most to hide…

When Clara’s boyfriend, Luke, disappears, everyone believes that he’s left her, but Clara thinks she knows the truth. Recent evidence suggests that Luke had a stalker, and Clara worries that he’s been kidnapped. Then Luke’s older sister, Emma, who vanished twenty years ago, suddenly reappears.

Emma wants to help Clara with her search for Luke, but she refuses to talk about what happened–even though it nearly destroyed her family when she vanished. And the deeper Clara digs into Luke’s mysterious disappearance, the more convinced she is that the two incidents are connected.

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A quick and solid addition to the thriller genre. “The Lies we Told” is a fast-paced story told in dual timelines with enough action to keep veterans of the breed on their toes and enough drama to keep the interest of even those who are only just willing to dip their toes in the proverbial pool.
Perhaps its not my favorite thriller ever, but I was interested enough to break a book slump that had gone on far too long. My own issues with downloading my copy aside, I read the whole book in less than a day, on the tiny screen on my phone–so how’s that for keeping and holding my interest?
Easily a solid 4 stars and I eagerly await any further works by this author.

I received an ARC from Penguin Random House’s First to Read program (many thanks!) and well, you know the drill by now, insert obligatory disclaimer here.

 

A review: “Lying in Wait” (which I did, so much waiting)

Hardcover, 312 pages
Published June 12th, 2018 by Gallery/Scout Press
Original Title: Lying in Wait
ISBN: 1501167774 (ISBN13: 9781501167775)

Goodreads Synopsis:

From the international bestselling author of Unraveling Oliver, an “unputdownable psychological thriller with an ending that lingers long after turning the final page” (The Irish Times) about a Dublin family whose dark secrets and twisted relationships are suddenly revealed.

My husband did not mean to kill Annie Doyle, but the lying tramp deserved it.

On the surface, Lydia Fitzsimons has the perfect life—wife of a respected, successful judge, mother to a beloved son, mistress of a beautiful house in Dublin. That beautiful house, however, holds a secret. And when Lydia’s son, Laurence, discovers its secret, wheels are set in motion that lead to an increasingly claustrophobic and devastatingly dark climax.

For fans of Ruth Ware and Gillian Flynn, this novel is a “seductively sinister story. The twists come together in a superbly scary denouncement, which delivers a final sting in the tail. Brilliantly macabre” (Sunday Mirror).

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Review:

My husband did not mean to kill Annie Doyle, but the lying tramp deserved it.

I am not the first, and will not be the last, but Liz Nugent is the queen of opening lines. Provocative and twisted, there’s a certain amount of don’t-you-dare-put-this-down attached to every opener Nugent writes.

Perfection, or the appearance thereof, can be deceiving, that’s Lydia Fitzsimons’ story. Her beautiful house, her beautiful life, hold more secrets than the average priest–and Nugent brings that tension up close and personal.

That being said, I must admit, to a personal pet peeve in a manner of speaking, with Nugent’s writing style. Vacillating between several distinct POV’s brings depth and alternate perspectives to the story, but the tone, the way the character’s speak about the past reminds me of her first novel, Unraveling Oliver, where everything has already happened and the characters are doing the “where were you when _______ happened?” which, at least for me, means that everyone already knows about what happened and it sort of makes the story less interesting? (So sorry for the run-on sentence that just kept going and going, I’ll try and do better.)

This “peeve” if you will, of mine made the first say, two-thirds(ish) of the book really difficult to get into. Instead of reading for pleasure, I felt like I was slogging through a mire of words.

But then the last third or so of the book the pace picked up like mad and I was scrambling to read as fast as I could because I had to know what happened next!

And that ending! **Spoiler**[I wasn’t expecting that to end the way it did, with Laurence, Lydia and Karen–was she planning that from the very first to keep Laurence with her forever?! I wasn’t sure that she’d got hat far and then she did! And now nobody knows the truth, which I found weirdly unsatisfying. Like, we get to watch these characters go through and survive so much s*** and then to regress/fail/etc. at the very end?] ** end spoiler**

Overall, after a strong beginning and then a slow middle, cumulating in an ending I only just began to see coming a few pages before I read it, a solid addition to the psychological thriller genre and a credit to Liz Nugent as an author.

3.75 stars rounded up to 4 for Goodreads.
Thanks to Gallery Books and Goodreads for hosting the giveaway that added this to my shelves.

A Review of “Memento Park” by Mark Sarvas

Hardcover: 288 pages
Published March 13th 2018 by Farrar Straus and Giroux
ISBN: 0374206376 (ISBN13: 9780374206376)

 

Goodreads Synopsis:

A son learns more about his father than he ever could have imagined when a mysterious piece of art is unexpectedly restored to him

After receiving an unexpected call from the Australian consulate, Matt Santos becomes aware of a painting that he believes was looted from his family in Hungary during the Second World War. To recover the painting, he must repair his strained relationship with his harshly judgmental father, uncover his family history, and restore his connection to his own Judaism. Along the way to illuminating the mysteries of his past, Matt is torn between his doting girlfriend, Tracy, and his alluring attorney, Rachel, with whom he travels to Budapest to unearth the truth about the painting and, in turn, his family.

As his journey progresses, Matt’s revelations are accompanied by equally consuming and imaginative meditations on the painting and the painter at the center of his personal drama, Budapest Street Scene by Ervin Kalman. By the time Memento Park reaches its conclusion, Matt’s narrative is as much about family history and father-son dynamics as it is about the nature of art itself, and the infinite ways we come to understand ourselves through it.

Of all the questions asked by Mark Sarvas’s Memento Park–about family and identity, about art and history–a central, unanswerable predicament lingers: How do we move forward when the past looms unreasonably large?

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Quick review because I don’t have a lot to say.

Pros:
*detail work is spot-on
*vivid descriptions
*a good addition to the “lost art connecting past and present” trope
*sometimes to try to reconnect with those who went before us, sometimes you try, and sometimes you fail

Cons:
*as a narrative voice, Matt’s is difficult to get into
*a little rambling(?)
*why did I come away feeling annoyed because how often the narrator refers to sex as a metaphor, how his every interaction with his girlfriend and his attorney (who keep getting pointe out as beautiful) always led back to sex? Just ARGH! (whether this is actually true or not, or was just my impression, I was still very annoyed by it and still am, a month plus after reading it)

Also, not being Jewish, there were more than a few references that I felt flew right over my head, though the author did his best to explain as he went. But there was something lovely about how Matt tried so hard to reconnect with his father, his family’s past, and his near forgotten faith.

A Review of “Sorority” by Genevieve Sly Crane

Hardcover: 293 pages
Published May 1st 2018 by Gallery/Scout Press
ISBN: 1501187473 (ISBN13: 9781501187476)

Goodreads Synopsis:

Sisterhood is forever…whether you like it or not.

Prep meets Girls in White Dresses in Genevieve Sly Crane’s deliciously addictive, voyeuristic exploration of female friendship and coming of age that will appeal to anyone who has ever been curious about what happens in a sorority house.

Twinsets and pearls, secrets and kinship, rituals that hold sisters together in a sacred bond of everlasting trust. Certain chaste images spring to mind when one thinks of sororities. But make no mistake: these women are not braiding each other’s hair and having pillow fights—not by a long shot.

What Genevieve Sly Crane has conjured in these pages is a blunt, in your face look behind the closed doors of a house full of contemporary women—and there are no holds barred. These women have issues: self-inflicted, family inflicted, sister-to-sister inflicted—and it is all on the page. At the center of this swirl is Margot: the sister who died in the house, and each chapter is told from the points of view of the women who orbit her death and have their own reactions to it.

With a keen sense of character and elegant, observant prose, Crane details the undercurrents of tension in a world where perfection comes at a cost and the best things in life are painful—if not impossible—to acquire: Beauty. A mother’s love. And friendship… or at least the appearance of it. Woven throughout are glimmers of the classical myths that undercut the lives of women in Greek life. After all, the Greek goddesses did cause their fair share of destruction.

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Crane has a deft hand with prose, and her detail work is as vivid as it is insightful.

And yet . . . Sorority reads like an anthology of connected short stories, not a full novel. There’s a so many alternating personalities and POVs–which on one hand is good, a bigger arc and more characters to (possibly) root for and further detail. But by that same token, I had a difficult time following along with all these characters.
Note: if you read this, try to read it all the way through in as little time as possible or you might forget who is who and be really confused!
And for all the POV’s and all the details we were given, I don’t know if this was just a me thing or what, but I spent the entire time reading this wondering, “Where’s the plot? What’s the point?” (If you’ve ever seen “Monty Python and the Holy Grail” and watched with the subtitles, the part where “God” shouts, “To the purpose!” that would be an accurate description of what I was doing the whole time I read this.)

So, while interesting, I’m not sure I’d reread this, but I will be waiting to see what Crane comes out with next because I do really like her writing style.

3 stars

Many thanks to the publisher who offered this up in a Goodreads giveaway!

A Review: “When The Serpent Bites” by Nesly Clerge (More like bites the dust I was so bored!)

Kindle Edition, 402 pages
Published October 30th 2015 by Nesly Clerge

NOTE: I DNF-ED AT ABOUT 37%!

Normally, I hold that I need to finish review copies because otherwise its unfair to the author to review their work without knowing the full story, but good grief, I’ve been trying since February and I just can’t.

If a book makes you think, “Why am I bothering with this waste of time?” then you probably shouldn’t be reading it. I’m sorry to the author and to Shayla Eaton who asked me to review this book, but I just can’t do it.

I was bored the entire time I was reading this. Literally bored and I kept waiting for something, anything to happen. With the chapters being as short as they were, you’d think the story would move along at a decent pace, but then you realize, what story? The entirety of what I read went from A to B to C and so forth in a “and this happened” sort of linear fashion that felt, well, inorganic? Slow? Amateurish?

Starks is this unlikeable character with no redeeming features what so ever–and don’t get me wrong, unlikeable characters/anti-heroes, etc. are some of my favorite characters, but when a character, especially the MC and the narrator has no redeeming/likable traits at all? And his attitude is basically “I never did a d*** thing wrong/its all _____’s fault/I’m the man that’s why I should get away with these things/I’m rich so obviously that’s all the proof I need to show what a ‘good person’ I am”, just no. What more is there to say?

Unless this was set up for some kind of redemption arc (and other reviewers don’t seem to see that happening), what was the point of just a spoiled, misogynistic character in a heavy-handed linear “story” with basically no structure/end/conclusion?

Normally, I give no stars when I DNF a book because its unfair for me to ruin an author’s rating’s because I couldn’t get to the end in case a book gets better, but in this instance, I’m giving it no stars because it doesn’t deserve any.